張俊彥 Chun-yien CHANG

作曲家 / 跨域實踐者
Composer; Interdisciplinary Practitioner

Contact: ccy[at]cctcc.art

Research Interests

Evolutionary Computation and Artificial Intelligence; Formal Ontology and Knowledge Representation; Robotics; Music Theory.

Academic Publications

C.-y. Chang, Y.-T. Chen and Y.-p. Chen, “Reinvigorating Structured Knowledge and Ontologies for Trustworthy and Beneficial AI and Robotics,” in Proceedings of the 15th International Conference on Formal Ontology in Information Systems (FOIS), 2025, Accepted for publication.

C.-y. Chang and Y.-p. Chen, “From Data Thirst to Aesthetic Hunger: The Pivotal Role of Artistic Exploration in Machine/AI Creativity,” in Proceedings of IEEE International Joint Conference on Neural Networks (IJCNN), 2025, Accepted for publication.

C.-y. Chang and Y.-p. Chen, “Revisiting the Formation of Harmonic Progressions from the Perspective of Voice-Leading with Evolutionary Computation,” in Proceedings of IEEE Congress on Evolutionary Computation (CEC), 2024, pp. 1–8.

C.-y. Chang and Y.-p. Chen, “Investigating Style Forming and Twisting by Adapting AntsOMG for Composing Second Species Counterpoint,” in Proceedings of IEEE Congress on Evolutionary Computation (CEC), 2023, pp. 1–8.

C.-y. Chang and Y.-p. Chen, “In the Name of Creativity: En Route to Inspiring Machines,” in Proceedings of the 12th International Conference on Computational Creativity (ICCC), 2021, pp. 400–404.

C.-y. Chang and Y.-p. Chen, “Contrapuntal Composition and Autonomous Style Development of Organum Motets by using AntsOMG,” in Proceedings of IEEE Congress on Evolutionary Computation (CEC), 2021, pp. 2023–2030.

C.-y. Chang and Y.-p. Chen, “AntsOMG: A Framework Aiming to Automate Creativity and Intelligent Behavior with a Showcase on Cantus Firmus Composition and Style Development,” Electronics 2020 9(8): 1212. 

C.-y. Chang and Y.-p. Chen, “Fusing creative operations into evolutionary computation for composition: from a composer’s perspective,” in Proceedings of IEEE Congress on Evolutionary Computation (CEC), 2019, pp. 2113–2120.

Selected Music Works

Orchestral

“Jesu dulcis memoria” for Soprano Solo and String Orchestra (2011)
“Homage to Haydn” Concertino for String Quartet and Orchestra (2003)
“Formosa Rhapsody 2022: The Treasure Island is Filled with Prophets” Tone Poem for Orchestra and Mixed Choir (2002)

Chamber Music

“In forme complexe” for Violin, Cello and Piano (2012)
“In Memory of In Memory of a Great Artist” for Two Violins, Cello and Piano (2011)
Piano Trio “Song of Time” (2010)
“In Memory of Eternity” for Violin, Cello, Clarinet and Piano (2008)
String Quartet “Equilibrium” (1996)

Solo Instrumental Works

“Six Miniatures” Suite for Unaccompanied Cello (2015)
Three Movement for Unaccompanied Cello (after S. Prokofiev) (2013)
“Earthly Elegy” for Cello and Piano (2010)
“Heavenly Tunes” for Piano(2010)
“Symposium” for Violin and Piano (2010)
“Auschwitz” for Violin and Piano (2004)
“De Rêve” for Violin and Piano (2003)

Choral Works

“Formosa Mysteria” for Baritone, Cello and Mixed Choir (2023)
“Circle of Presence” for Cello, Mixed Choir and Piano (2022)
“Reges eos” for Mixed Choir (2012)
“邪惡之花” for Soprano Solo, Mezzo-Soprano Solo, Mixed Choir and Piano (2005)
Cantata No.2 for Mixed Choir and Piano (2005)
Cantata No.1 for Mixed Choir and Piano (2004)
Two Motets for Mixed Choir (2003)

Songs

“Chants de l'Ermite Sophistiqué” for Mezzo-Soprano, Cello and Piano (2023)
“微光之歌” Song Cycle for Baritone and Cello (2023)
“不存在的情詩” Song Cycle for Mezzo-Soprano, Baritone, Cello and Piano (2022)
“返魅書簡” Song Cycle for Baritone and Cello (2013)
“O' remadiway no Sikawasay” Song Cycle for Tenor, Clarinet and Piano Trio (2012)
“羔羊經：一位受難者臨終前的祈禱” for Baritone, Cello and Piano (2009)
廢名藝術歌曲：“上帝的花園”、“花的哀怨” (2007)
阿美語歌曲 “Mi dalimaw to wawa” (2006)
“回憶” Song Cycle for Soprano and Piano (2003)
“War Poetry” Song Cycle for Baritone and Piano (2002)